3.55 linear feet (7 containers, 1 oversize folder)
Kim Stafford is a writer from the Pacific Northwest. His poetry and essays focus on the relationship of people with nature and social custom. Stafford places great value on folklore and bases much of the research for his own writing on the study of folk custom and oral history. He has taught and served as an artist-in-residence throughout the state of Oregon and in Washington, Idaho, and California. He regularly offers poetry readings and writing workshops and is active as a printer. The majority of the collection of Kim Stafford’s work encompasses books and other printed material, including periodicals and newspapers. Also included are photographs, videos, broadsides, and printed flyers.
Special Collections and University Archives, University of Oregon Libraries
Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.
Kim Robert Stafford was born on October 15, 1949 in Portland, Oregon, one of four children of Dorothy and William Stafford, who was also a poet. Stafford’s interest in nature dominates his poetry and essays, which focus on the relationship of people with nature and social custom.
Kim Stafford has spent most of his life in the Pacific Northwest, particularly in Oregon. He received his college and graduate education at the University of Oregon where he obtained his B. A. in 1971, his M. A. in 1973, and his Ph.D. in Middle English Literature in 1979. In addition to a fellowship for graduate study at the University of Oregon from 1971-1974, Stafford received creative writing fellowships from the National Endowment for the Arts in 1976 and 1984.
During the 1970s Stafford began an intense study of printing in Port Townsend, Washington, where he assisted Graywolf Press in the production of printed works of several poets. He has made a practice of regularly issuing postcard editions of his poems from his own press, Ashwood Press.
Stafford places great value on folklore and bases much of the research for his own writing on the study of folk custom and oral history. He served as an oral historian for the Siuslaw Pioneer Museum in Florence, Oregon, in 1975. Stafford’s interest in folk literature led to his regular attendance and support of the Cowboy Poetry Gathering, held annually in Elko, Nevada. In January 1990 he gave the Gathering’s keynote address.
Kim Stafford has steadfastly pursued his creative work in Oregon. He has taught and served as an artist-in-residence throughout the state of Oregon and in Washington, Idaho, and California. He was an artist-in-residence in Burns, Oregon (1975) and Wallowa, Oregon (1978). Stafford taught at Pacific Lutheran University (1980), Idaho Sate University (1981-1982), and the University of California at Davis (1983-1984). He began teaching in 1978 at Lewis and Clark College, and became director of the Northwest Writing Institute (Oregon Writing Project).
A steady contributor to many literary journals, Stafford describes himself as a “professional eavesdropper,” and relies on his daily journal as a source for his writing projects. In 1976 he published a collection of his own poetry,
A Gypsy’s History of the World, and contributed to a collection of poetry by his father,
Braided Apart. Stafford continues to publish collections of his poetry and prose. His collection of essays,
Having Everything Right, won a special award in 1986 from the Western States Arts Foundation.
Stafford has contributed to many Northwest as well as national poetry and literary journals. In Oregon, his work frequently appears in
The Oregonian supplement of
Northwest Magazine in the poetry section as well as in feature articles. He regularly offers poetry readings and writing workshops and is active as a printer.
Given the variety and rarity of Stafford’s publications, this collection is remarkably complete to date (September, 1990). All of the books in this collection have been removed from the manuscript collection but are available in Rare Books.
Stafford has produced several books, including two for which he shares authorship with his father William Stafford:
Braided Apart (1976) and
That Meeting Place: Poems (1979). The collection also includes Stafford’s award-winning collection of essays,
Having Everything Right (1986), as well as his latest collection of poems about local character,
Places and Stories. Within this category are also two books which present some of Stafford’s ideas and examples about teaching writing:
Twenty-three Ways of Holding Still and
Thirty-Seven Ways of Holding Still: Poems Written at Wallowa School and Assignments as Given (1978), which contain exercises for grade school students supplementing the examples of the work of Stafford’s students from Idaho and eastern Oregon primary and secondary schools.
Books containing contributions by Kim Stafford date from 1983 through 1988. These include Stafford’s introduction to a collection of essays in honor of his advisor and Middle English scholar Stanley Greenfield,
Modes of Interpretation in Old English Literature (1986). Also included is
Idaho Place Names (1988) by Lalia Boone, which contains a poem by Stafford as the frontispiece.
Stafford is a prolific contributor to national and Northwest literary journals, many of which have had short lives on the market. The collection of journals with Stafford’s poetry includes 47 journals, some with several issues containing Stafford’s work. These range from well-know journals such as the
Poetry Northwest, and the
South Carolina Review, to rare issues of
Mister Cogito, and other ephemeral periodicals. The earliest published poem in the collection dates from 1971-1972 (
Northwest Review), with the majority of entries dating from 1975-1980.
The section containing Stafford’s essays, articles, and reviews is represented by a collection of 15 periodicals. These include short stories and reviews, as well as articles about others, such as “He Found This Great Strength,” the
Idaho Foxfire Network, which describes the last days of Lloyd Reynolds, scholar, artists, and friend of Stafford. This category also contains an interview with Kim Stafford about his writing (
Mossy Creek Journal, 1988).
James Henry kept a cross-reference index of all of Stafford’s poems and essays. Henry’s file is kept in the Special Collections Reading Room.
As an artist-in-residence, Kim Stafford often collected and published the work of his students in booklets. These are represented in the category of work edited by Kim Stafford and include rare copies of the poetry by students at Lewiston, Idaho (1975); Enterprise, Oregon (1978); Lincoln Junior High, Burns, Oregon (1980); Redmond, Oregon (1980); and Washington High School, Portland, Oregon (1981).
Three programs contain work by Kim Stafford.
Cityfolk (1981) and
Cowboy Poetry Gathering (1987 and 1989) feature Stafford’s essays.
Newspapers containing poetry and essays by Kim Stafford were collected by the donor. The majority of Stafford’s works are represented here in issues of
The Oregonian or its supplement,
Northwest Magazine, together with Stafford’s contributions to the
Elko Daily Free Press and
Fresh Weekly (
Willamette Week) dating from 1980 to 1989. Because the donor had Kim Stafford autograph nearly every entry of the collection, the original newspapers have been preserved and kept in a separate box at the end of the collection.
Whenever James Henry could not find original issues of journals or publications containing Stafford’s work, he obtained photocopies. Many of these copies duplicate original issues in the collection. The copies are represented in 21 titles and numerous issues.
Also included in the collection are undated press catalogues and flyers, as well as advertising postcards for Stafford’s own work or books and periodicals to which he contributed.
As director of the Northwest Writing Institute at Lewis and Clark College in Portland, Oregon, Stafford contributed regularly to the institute’s newsletter. In addition to newsletters from 1988 through 1990, the collection also contains flyers advertising workshops and events at the Institute from 1987 to 1989.
A few newspaper articles about Kim Stafford also appear in this collection and feature Stafford’s work as a judge in the Young Writers Fiction Contest (1988), as head of a conference on writing (1989), his award for
Having Everything Right (1986), as well as other events in which Stafford participated.
James Henry and Kim Stafford began corresponding in March 1981 when Henry began a serious collection of Stafford’s work. Their correspondence currently includes letters through November 1989 and reveals the wide-ranging interest, activities, and jobs that Kim Stafford took on during this period, and the slow process of assembling the materials for this collection which required Henry’s persistence. A selection of James Henry’s letters to Kim Stafford, which were photocopies from Stafford’s files, is also included. This correspondence highlights the effort involved by the collector as well as the firm friendship and respect between Stafford and Henry in their struggle as writers.
Also included among the correspondence are James Henry’s replies from publishers to his requests for copies of their journals. These have been arranged according to publishers rather than by addressee to coordinate them with the publications in the collection. The inventory identifies the names of all correspondents.
Numerous photographs of Stafford appear throughout the journal and newspaper articles of this collection. Also available is one autographed 8 by 10 inch photograph of Kim Stafford and his father.
During the 1970s the Oregon Humanities Foundation produced a television series on Northwest Writers. A video featuring Kim Stafford as part of the Visiting Writers Series is included in this collection. An audiocassette recording of Stafford’s keynote address to the Cowboy Poetry Gathering at Elko, Nevada in January 1990 is also included.
Some of Stafford’s poetry has been printed in limited editions by others. The largest (18” x 24”) in the collection is the Breakwater Broadside Series I, which included Stafford’s “The Bears” (1980). “The Rocking Chair” (1980) and “A Woman and a Bear” (1985) also include illustrations.
Kim Stafford’s father, William Stafford, is a nationally acclaimed post whose work James Henry began collecting before he began collecting Kim Stafford’s work. Some of the periodicals include poems by William Stafford who has autographed most of them. These are listed in a separate category, although the publications may be found within he appropriate category of Kim Stafford’s work.
The works donated to this collection by Thelma Greenfield are of a personal nature, most dating from Stafford’s frequent contact with the Greenfields when he was a student at the University of Oregon. The one piece of correspondence, a letter dated June 13, 1989, contains a draft of one of Stafford’s essays. The remaining items, made during the early 1970s, include several broadsides and a small handmade book which features Stafford’s poetry and photographs taken by Stafford.
Other Descriptive Information
The major portion of this collection of works by Kim Stafford is one of three collections donated to the University of Oregon Library by James Henry during 1989 and 1990. Thelma Greenfield donated additional materials for inclusion in the collection in 1990. This introductory section provides information regarding the donors James Henry and Thelma Greenfield; other sections include a biography of Kim Stafford, a scope and content note, and a box-by-box inventory of the collection.
James Henry was born in Oakland, California on July 26, 1908 and spent most of his youth in the oil country of southern California. In 1927 he went to work at the Shell Oil Refinery in Martinez, California where he remained until 1941. During the second World War, Henry served in the Air Force as an airplane and engine mechanic. At the conclusion of the war, Henry continued to work as an airplane mechanic at the San Francisco and Oakland Airports. He retired in 1968 and has lived in The Dalles, Oregon since 1979.
Over the years, Henry’s activities have ranges from touring California by motorcycle to long distance running, but by far his deepest and most compelling interests are the English language, modern literature, and book collecting. Henry has written on Thomas Wolfe and Jack London, and he had done extensive research on colloquial American English. An avid book collector, Henry had put together outstanding collections on such writers as George Sterling, Jack Kerouac, Herbert Gold, and William and Kim Stafford.
In assembling these book collections, Henry has shown himself to be an adept sleuth and a fine scholar in compiling publication histories. Many times he has ferreted out materials long considered lost by their authors and publishers. Henry has demonstrated his respect for writing and scholarship by donating these assembled collections to libraries in California and Oregon where they can be read and enjoyed by a wide audience.
James Henry first became interested in Kim Stafford’s work in 1980 while assembling a collection of materials by William Stafford, Kim’s father. Over the years, through correspondence with publishers and Kim Stafford and careful searching, Henry has put together an important collection of materials produced by Kim Stafford. During this time Henry took an active interest in Kim Stafford and his creative endeavors. The two men have been in frequent contact since 1980 and have developed a close friendship. Henry donated this collection to the University of Oregon Library during 1989 and 1990.
In 1979 Kim Stafford received his doctorate in Middle English literature from the University of Oregon. His advisor Stanley Greenfield and Greenfield’s wife, Thelma, became good friends with Kim Stafford during the course of his studies at the University of Oregon. In 1990, Thelma Greenfield donated gifts of broadsides, a book, and correspondence (which includes the draft of an essay) to add to this collection.
Use of the Collection
Restrictions on Access :
Collection is open to the public.
Collection must be used in Special Collections & University Archives Reading Room.
Collection includes sound recordings or moving images to which access is restricted. Access to these materials is governed by repository policy and may require the production of listening or viewing copies. Researchers requiring access must notify Special Collections & University Archives in advance and pay fees for reproduction services as necessary.
Restrictions on Use :
Property rights reside with Special Collections & University Archives, University of Oregon Libraries. Copyright resides with the creators of the documents or their heirs. All requests for permission to publish or from collection materials must be submitted to Special Collections & University Archives. The reader must also obtain permission of the copyright holder.
Archival material may contain materials with sensitive or confidential information that is protected under federal and/or state right to privacy laws and other regulations.
Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. a cause of action for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the University of Oregon assumes no responsibility.
If a researcher finds sensitive personal information in a collection, please bring it to the attention of the reading room staff.
Preferred Citation :
[Identification of item], Kim Robert Stafford Collection, Coll 206, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
Collection is organized by category of publication or production format into the following series, which are arranged in alphabetical order by title:
Series I: Books by Kim Stafford or containing work by Kim Stafford
Series II: Periodicals containing articles, essays, and reviews by Kim Stafford
Series III: Programs containing essays by Kim Stafford
Series IV: Newspapsers containing poems and essays by Stafford
Series V: Photocopies of poems and essays by Kim Stafford
Series VI: Works edited by Kim Stafford
Series VII: Works printed by Kim Stafford
Series VIII: Northwest Writing Institute flyers and newsletters
Series IX: Press catalogues, flyers, and advertising postcards
Series X: Northwest Writing Institute flyers and newsletters
Series XI: Letters from Kim Stafford to James Henry
Series XII: Photocopies of selected letters from James Henry to Kim Stafford
Series XIII: Letters from publishers to James Henry (unless otherwise noted)
Series XIV: Photographs
Series XV: Video and sound recordings
Series XVI: Broadsides
Series XVII: Ephemera
Series XVIII: Printed material, flyers, and catalogues with work by William Stafford (many signed by William Stafford)
Series XIX: Thelma Greenfield addendum, including broadsides, books and correspondence
Separated Materials :
Books in this collection have been cataloged and removed to the Rare Books Collection.
Processing Note :
Collection processed by staff.
This finding aid may be updated periodically to account for new acquisitions to the collection and/or revisions in arrangement and description.