Dorothy Speare (1898-1951) was born in Newton Center, Massachusetts, and educated at Smith College and Radcliffe College. Between 1926 and 1930 she worked toward an operatic career, but was forced to abandon opera due to illness. From 1931 to 1934 she was a scenario writer in Hollywood. After that, Speare became a full time author, writing such books as Dancers in the Dark and Spring on 52nd St.. From 1948 to 1951 Speare taught creative writing at Boston University.
The collection consists of Speare's manuscripts, correspondence, personal files, and school and college papers.
The manuscripts consist of 9 novels, 47 short stories, 4 plays, and a collection of printed pieces. Novels included are: Behind the Moon, Head of the Bay, Linda, Nowadays, Of Human Error, The Road to Needles, Spring on 52nd St., and Week of the Tournament. Among the plays is the manuscript of Prima Donna which became the motion picture, One Night of Love.
The correspondence is extensive with 538 general and professional letters and an additional 478 family letters. Major correspondents include: Russel Davenport, Joseph H. Goodspeed, Dorothy Heyward, Vincent Lawrence, Robert Nathan, Franklin Christmas (Speare's 1st husband), Charles J. Hubbard (her 2nd husband), and Edward Ray Speare (her father).
Personal files include publicity photos as well as a section of materials related to Speare's opera career.
The papers also include 48 volumes of manuscripts and published items written when the author was a student in high school, at Smith College, and a student in George Pierce Baker's 47 Workshop, Radcliffe, 1919. A few of Miss Speare's manuscripts are held by Boston University.
Restrictions on Access :
Collection is open to the public.
Collection must be used in Special Collections & University Archives Reading Room.Preferred Citation :
[Identification of item], Dorothy Speare papers, Ax 366, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.Restrictions on Use :
Property rights reside with Special Collections & University Archives, University of Oregon Libraries. Copyright resides with the creators of the documents or their heirs. All requests for permission to publish collection materials must be submitted to Special Collections & University Archives. The reader must also obtain permission of the copyright holder.
Archival material may contain materials with sensitive or confidential information that is protected under federal and/or state right to privacy laws and other regulations.
Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. a cause of action for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the University of Oregon assumes no responsibility.
If a researcher finds sensitive personal information in a collection, please bring it to the attention of the reading room staff.
Collection is organized into the following series: Manuscripts, Correspondence, Operatic Career, Personal Files, and School and College Papers.
Additional Reference Guides :
Paper finding aid with additional information is available in Special Collections & University Archives.Processing Note :
Collection processed by staff.
This finding aid may be updated periodically to account for new acquisitions to the collection and/or revisions in arrangement and description.